Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Ralph Earl
Mother and her Daughter

ID: 50511

Ralph Earl Mother and her Daughter
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Ralph Earl Mother and her Daughter


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Ralph Earl

1751- 1801 Ralph Earl Galleries Ralph Earl was born in either Shrewsbury or Leicester, Massachusetts. By 1774, he was working in New Haven, Connecticut as a portrait painter. In the autumn of 1774, Earl returned to Leicester, Massachusetts to marry his cousin, Sarah Gates. A few months later, their daughter was born; however, Earl left them both with Sarah's parents and returned to New Haven. Like so many of the colonial craftsmen, Earl was self-taught, and for many years was an itinerant painter. In 1775, Earl visited Lexington and Concord, which were the sites of recent battles in the American Revolution. Together with engraver Amos Doolittle, he painted four of his most famous pictures, all battle scenes. Although his father was a colonel in the Revolutionary army, Ralph Earl himself was a Loyalist. In 1778, he left behind his wife and daughter and escaped to England by disguising himself as the servant of British army captain John Money.  Related Paintings of Ralph Earl :. | Portrait of Marinus Willett | and her son Charles | Portrait of a Man with a Gun | Looking East from Denny Hill | Callahan Children |
Related Artists:
RYCK, Pieter Cornelisz van
Dutch painter (b. 1568, Delft, d. 1628, Haarlem).
Friedrich Johann Overbeck
1789-1869 German German religious painter. Expelled from the Vienna Academy because of his opposition to its classicism, he went to Rome and with Peter von Cornelius, Veit, Schadow-Godenhaus, and others, formed the group known as the Nazarenes. His first real successes were his frescoes for the Casa Bartholdy (now in Berlin) and for the Villa Massimo. Among his notable paintings are Christ Entry into Jerusalem and Christ Agony in the Garden. Overbeck sought to make his art serve religion. His influence was due more to the purity of his doctrine than to the power of his work, which is often lacking in pictorial appeal and in color.
Hoogstraten, Samuel Dircksz van
Dutch Baroque Era Painter, 1627-1678






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